Lumière Cinema
Bassin 88
6211AK Maastricht
Netherlands
Jeroen Evertz
Trintelen, 1973
Photo collages "A place called Moke's”.
“I like to remember things my own way, not necessarily the way they happened” – Fred Madison *
Who determines as to what is "real" in the 21st century: media, commerce, politicians, technology, nature or do we?
Can Jeroen Evertz add his work as a possibility to this list? He is interested in the simultaneous existence of different realities, in the twilight zone between dream and reality, in the fusion of fiction and non-fiction. After all, how this is assessed is closely linked to everyone's individual experiences: "The truth is all in how you see it ..." Through a collage-art way of working, similar to a manual version of photoshop, Evertz composes images into a concentrated whole.
- Fred Madison is the main character from Lost Highway (David Lynch, 1997)
Photo collages "A place called Moke's”.
“I like to remember things my own way, not necessarily the way they happened” – Fred Madison *
Who determines as to what is "real" in the 21st century:...
Photo collages "A place called Moke's”.
“I like to remember things my own way, not necessarily the way they happened” – Fred Madison *
Who determines as to what is "real" in the 21st century: media, commerce, politicians, technology, nature or do we?
Can Jeroen Evertz add his work as a possibility to this list? He is interested in the simultaneous existence of different realities, in the twilight zone between dream and reality, in the fusion of fiction and non-fiction. After all, how this is assessed is closely linked to everyone's individual experiences: "The truth is all in how you see it ..." Through a collage-art way of working, similar to a manual version of photoshop, Evertz composes images into a concentrated whole.
- Fred Madison is the main character from Lost Highway (David Lynch, 1997)